They get a storyline that revolves entirely around her being fat and his being hot, but somehow it works in the service of the narrative because the whole point of the episode is to underscore how the kids as characters-and we as humans-fail when they are not true to their essence, which in this case is Curvy Vocal-Running Black Diva and Hunky Muscled Jew Douche Manipulator. Fortunately, this week’s episode lands solidly on the Dude side of the equation: A strike (or at least a spare.) In my tireless efforts to explicate (rather than simply sycophantically synopsize) this series, I have come up with a set of relatively consistent pet theories as to why and when the show works, for example: when it displays a willingness to focus on the exciting and specific secondary and tertiary characters, when it avoids Will and Emma’s diseased and insipid “relationship” (or any relationship Will has with anyone but wino April Rhodes), when it pulls back from Sue’s increasingly creaky antics, when it cautiously skirts around showcasing Rachel’s more toxic “side,” when Kurt takes center stage, when the music doesn’t make you want to volunteer for a trans-Pacific flight in a slowly depressurizing cabin, and generally when there is emotional honesty directing the characters’ actions and not some silly tacked-on external motivators like “Sectionals,” or “Sue Needs the Gym,” or “Madonna.” Join hands with me, please, and bless the blessed adherence of “Laryngitis.” Secondary Characters Spotlit: Mercedes and Puck finally get storylines that revolve around more than her being fat and his being hot. But what is the deal with this show’s phenomenal inconsistency? I’m beginning to feel like it’s secretly written by the Coen brothers, another massively “creative” and respected production team whose work is devastatingly uneven, and who don’t seem to be able to judge when they’re chopping out deliciously soft and substantial filets ( The Big Lebowski, Fargo, No Country for Old Men), or simply churning their paws through the schticky offal of their own self-indulgence ( Burn After Reading, Intolerable Cruelty, much of A Serious Man).
Utiliza las mejoras vocales para intensificar aún más el efecto de tu voz y desbloquea escenas nunca antes vistas en la serie.Another truly successful episode, bringing the hole-in-one count on the Back Nine to two for five. ¡La Gleemanía no tiene límites! Conviértete en uno de los personajes de tu serie favorita y actúa a dueto en 20 de las más memorables actuaciones de la primera temporada.
Use vocal enhancers to boost and tweak your performance, collect special items in Scrapbook Mode, and watch extended and never-before-seen footage from the show.ġ."A House Is Not a Home" - Dionne Warwickĥ."Dream a Little Dream of Me" - The Mamas & the Papasħ."Gives You Hell" - The All-American RejectsĨ."Good Vibrations" - Marky Mark and the Funky Bunch featuring Loleatta Hollowayġ3."Over the Rainbow" - Israel Kamakawiwo'oleġ7."The Lady Is a Tramp" - Sammy Davis, Jr.ġ9."Total Eclipse of the Heart" - Bonnie Tyler You'll share a "Bad Romance" with Kurt, blow the crowd out of the water with Mercedes on "Like a Prayer," and share the stage with Jesse St. Choose from 20 memorable performances from the second half of Glee's first season.
The singing sensation keeps rolling with Karaoke Revolution Glee Volume 2! Become part of everyone's favorite glee club, New Directions, and perform duets with the show's most popular characters.